Dionne Warwick: ‘Fair Pay for Air Play’ About Economic Justice
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Little did the public know that when they heard Dionne Warwick sing, “Do You Know the Way to San Jose” and other hits on the radio for the past four decades, none of the money made off the airplay found its way to her—it all went in the radio station owners’ pockets.
Now Warwick and other performers have a chance to finally get what they are due—but Big Radio CEOs are resorting to personal attacks in an effort to derail legislation that would pay performers like Warwick when their music is played on the radio.
Writing today on the Huffington Post, Warwick says the Civil Rights for Musicians Act (H.R. 848), dubbed “Fair Pay for Air Play,”
is about economic justice for African American artists. It’s about what’s right. And it’s about time.
‘Fair Pay for Air Play’ Won’t Hurt Black Radio Stations
The Coalition of Black Trade Unionists (CBTU) and the A. Philip Randolph Institute (APRI) have joined with the NAACP to put to rest the false claims that legislation to give fair pay to performers whose music is played on radio would hurt black radio stations.
If enacted, the Civil Rights for Musicians Act (H.R. 848), dubbed “Fair Pay for Air Play,” would protect the rights of performers by ensuring that they get paid a fair wage when their music is played on the radio. The bill would close a loophole in copyright law that allows AM and FM stations to duck royalty payments to performing artists.
Big Radio conglomerates have pulled out all the stops to derail the bill. In an all-too-familiar scenario, corporate executives are resorting to personal attacks against the bill’s supporters, especially the bill’s sponsor, Rep. John Conyers (D-Mich.). They also have launched a misinformation campaign led by black-owned mega-company Radio One, which claims the legislation would hurt African American radio stations.
AFTRA, AFM Call for ‘Fair Play for Air Play’
You can take a stand for the folks in the band today and tomorrow. Let your congressional representatives know that it’s time that radio stops stiffing musicians and recording artists and pays the piper…and the singers, guitar players, drummers, keyboardists….
When a song is played on what is known as “terrestrial radio”—the radio you receive over the air—the men and women who play and sing do not receive a single penny in royalties for the music they created. But if that same tune is played on satellite radio, streamed on the Internet or piped in through cable TV music channels, the band gets paid.
