‘Fair Pay for Air Play’ Won’t Hurt Black Radio Stations
The Coalition of Black Trade Unionists (CBTU) and the A. Philip Randolph Institute (APRI) have joined with the NAACP to put to rest the false claims that legislation to give fair pay to performers whose music is played on radio would hurt black radio stations.
If enacted, the Civil Rights for Musicians Act (H.R. 848), dubbed “Fair Pay for Air Play,” would protect the rights of performers by ensuring that they get paid a fair wage when their music is played on the radio. The bill would close a loophole in copyright law that allows AM and FM stations to duck royalty payments to performing artists.
Big Radio conglomerates have pulled out all the stops to derail the bill. In an all-too-familiar scenario, corporate executives are resorting to personal attacks against the bill’s supporters, especially the bill’s sponsor, Rep. John Conyers (D-Mich.). They also have launched a misinformation campaign led by black-owned mega-company Radio One, which claims the legislation would hurt African American radio stations.
AFTRA, AFM Call for ‘Fair Play for Air Play’
You can take a stand for the folks in the band today and tomorrow. Let your congressional representatives know that it’s time that radio stops stiffing musicians and recording artists and pays the piper…and the singers, guitar players, drummers, keyboardists….
When a song is played on what is known as “terrestrial radio”—the radio you receive over the air—the men and women who play and sing do not receive a single penny in royalties for the music they created. But if that same tune is played on satellite radio, streamed on the Internet or piped in through cable TV music channels, the band gets paid.
Performers Call for Fairness in Radio
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Frank Sinatra couldn’t get them. Dionne Warwick hasn’t gotten them in nearly 50 years, and Sheryl Crow and Herbie Hancock still can’t get them. For more than four decades, musicians and singers have been trying to get royalties, also known as performance rights, for music their fans listen to every day on the radio.
Here’s the deal. If music you perform is played on satellite radio, streamed on the Internet or piped in through cable TV music channels, you get paid a royalty. But due to a loophole in copyright law, if the music is played on FM or AM radio, only the composer gets a royalty and the performer gets nothing. The United States is one of only a few countries that do not provide fair performance rights on radio. The others include Qatar, Iraq, Iran, North Korea and China.
Actually, U.S. performers get stiffed from royalties twice. Because U.S. radio stations do not pay a performance royalty for foreign artists either, American artists are not compensated when their music is played on stations around the world.
Yesterday, more than 90 members of the American Federation of Musicians of the United States and Canada (AFM) and the American Federation of Television and Radio Artists (AFTRA) from across the country met with members of Congress from their home states to call for full performance rights in sound recordings broadcast over AM/FM radio. They asked lawmakers to support the Performance Rights Act (H.R. 848 and S.379), which if enacted would bring the United States in line with almost every other nation in the world.
