Professional Workers Form Coalition to Protect Public Interest
A coalition of 19 organizations representing professional employees today announced the creation of Professionals for the Public Interest: Associations and Unions Defending Professional Integrity (PftPI) to defend the ability of professionals to do their jobs right, despite outside pressures from bosses, politicians and others.
According to the AFL-CIO Department for Public Employees (DPE), polling over many years has shown that for professionals, the ability to do the job right is a priority as important as, or more important than, compensation and benefits. Professionals choose what they want to do, invest in extensive education and training and value the latitude to meet professional standards.
Yet professionals face extensive financial and political pressures that endanger their ability to turn out quality work and, as a result, endanger the public they serve, DPE says. For example, scientists found that the Bush administration regularly twisted the results of their research to fit a political agenda. Nurses are engaged in ongoing struggles to provide better service by safe staffing, and teachers seek to reduce class sizes.
Performers Call for Fairness in Radio
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Frank Sinatra couldn’t get them. Dionne Warwick hasn’t gotten them in nearly 50 years, and Sheryl Crow and Herbie Hancock still can’t get them. For more than four decades, musicians and singers have been trying to get royalties, also known as performance rights, for music their fans listen to every day on the radio.
Here’s the deal. If music you perform is played on satellite radio, streamed on the Internet or piped in through cable TV music channels, you get paid a royalty. But due to a loophole in copyright law, if the music is played on FM or AM radio, only the composer gets a royalty and the performer gets nothing. The United States is one of only a few countries that do not provide fair performance rights on radio. The others include Qatar, Iraq, Iran, North Korea and China.
Actually, U.S. performers get stiffed from royalties twice. Because U.S. radio stations do not pay a performance royalty for foreign artists either, American artists are not compensated when their music is played on stations around the world.
Yesterday, more than 90 members of the American Federation of Musicians of the United States and Canada (AFM) and the American Federation of Television and Radio Artists (AFTRA) from across the country met with members of Congress from their home states to call for full performance rights in sound recordings broadcast over AM/FM radio. They asked lawmakers to support the Performance Rights Act (H.R. 848 and S.379), which if enacted would bring the United States in line with almost every other nation in the world.
